Browsing Tag

Design

Design

How the Bike Tote was Born

April 30, 2014

When developing a product from scratch, we need to think through all of the details. We think about functionality and ask ourselves basic questions. When we created our Bike Tote those questions were: How will the bag hold objects? How much will it hold? How will it be secured? How will it be carried? What materials do we use to make sure the job gets done?

Here’s how we answered some of those questions.

Bike Tote | UncommonGoods

The tricky thing about this project was making sure the bag would fit the needs of a bike rider. Safety is integral. First, the bag needed to be well-secured to a bike’s handlebars without interfering with the front wheel.

How we made it happen: Sourcing the right buckles.

Bike Tote Buckles

This was our greatest sourcing challenge. We recognize that depending on the style of the bike or gears you have, strapping the bag on or off could be a challenge, so we made sure to source components that would work for as many bike styles as possible.

The buckles needed to open up so that we could completely detach the straps and fasten to any bike. They also needed to firmly and securely support the weight of the bag, without breaking, loosening, or slipping on the bike. After evaluating several different buckle and strap options, we chose these cam buckles.

In addition to securing the bag to the bike, we had to refine the cotton shoulder strap, making sure it made sense for a bike rider. We wanted to develop a true tote bag with a longer shoulder strap, but we didn’t want the strap to fly around in the wind or interfere with the bike in any way.

How we made it happen: A floating zipper.

Bike Tote Zippers

The zipper is isolated from the rest of the bag, which means the bag can be opened fully. It allows a bike rider to place the entire shoulder strap into the bag, with the zipper closed on top of it. The strap is securely tucked inside the bag, instead of hanging loose.

We know that when you’re on the road, dirt and gravel fly up, and things get pretty dirty pretty fast. We wanted to make sure the bike tote would stay as nice as possible, despite being an active bag.

How we made it happen: Black bottom panel.

Bike Totes| UncommonGoods

We lined the bottom of the bag with black fabric to hide any smudges. Remember – because of the buckles, the bike tote can’t be machine washed or dried, so hand-washing and line-drying are your best bets for keeping it in top shape.

As a final design touch, we wanted to help bike riders increase their visibility both from a distance and in the dark.

How we made it happen: Reflective tape around the bag. The strip of reflective tape allows for more visibility of riders as they cruise along and show off their very cool bike tote.

Safety first--reflective tape!

Testing the Bike Tote

Once the product met all of the criteria we outlined, we we needed to make sure it was truly road ready. To test it, one of our team members gave it a try on her road bike to make sure our claims were holding up. “I’m basically going to try and break it,” she informed us.

Weighs

In her words:

“I filled it with as much heavy stuff as I could. I started with books and when that didn’t break the bag, I tried weights (two 5 lb. weights) and large bottles (3 wine-sized bottles). The bag was a bit too big for the bike handlebars on the bike I was testing it on, so for the actual weight test I attached it to the bike cross bar and left it hanging overnight.”

The tote successfully held the weight, and we were pleased to find out that it is capable of transporting a lot of wine. (You never know when you might need to to perform just that function!)

Overall, creating the Bike Tote was fun, we got to work with awesome artists Jason Snyder and Briana Feola (who created the art featured on the tote’s fabric), and we can be proud that we developed a product that’s stylish, high-quality, and super functional.

Design

Meet the Bloggers from our Spring Jewelry Lookbook

April 17, 2014

This spring we wanted to highlight four of our newest jewelry collections by makers inspired by nature in a digital lookbook. Instead of styling the pieces ourselves, we relied on the skills of two talented bloggers, Jessa and Holly, who brought these botanical designs to life in their own personal way.

Before you check out the lookbook, discover the inspiration behind the looks they created for us!

Meet Jessa of Caked Vintage | Spring Jewelry Lookbook | UncommonGoodsMeet Jessa of Caked Vintage | Spring Jewelry Lookbook | UncommonGoods
Jessa of Caked Vintage

What makes handmade jewelry special in your opinion?
Handmade jewelry tells a story, a journey from concept to creation, you can hold in your grasp. It is intricate, intimate, and inspirational.

How do you like to spend a warm spring day?
Spring picnics are perfection! A blanket lunch amidst a faint floral breeze, paired with a sun-kissed nap, has to be one of spring’s simplest pleasures.

What inspires your spring wardrobe?
I am inspired by color; spring is the perfect palette of hues and patterns for designing and pairing your wardrobe.

What was your favorite piece to style? What do you love about it?
I am in love with the Shattered Glass Bib Necklace. It’s the perfect example of how something once broken can become something beautiful.



Meet Holly of Holly Dolly | Spring Jewelry Lookbook | UncommonGoodsMeet Holly of Holly Dolly | Spring Jewelry Lookbook | UncommonGoods
Holly of Holly Dolly

What makes handmade jewelry special in your opinion?
I know how much time and effort and love and passion goes into each and every piece. When it means that much to the designer, it means just as much to me.

How do you like to spend a warm spring day?
There is nothing better than spending a warm spring day by the water, watching the boats and snacking on a cannoli.

What inspires your spring wardrobe?
Color! I tend to hide in a neutrals and darker colors during the winter. The fresh, renewed feeling of spring makes me want to break out every single bright color in my wardrobe.

What was your favorite piece to style? What do you love about it?
The Golden Sunflower Necklace reminds me of this huge field of sunflowers that my husband I stumbled upon last summer. Just bright yellow as far as the eye could see against a bright blue sky. It was breathtaking.

Maker Resources

How To Make It: Instagram and Your Creative Business Videos

April 9, 2014

On March 25 we invited Ronen Glimer of Artists & Fleas, Ronda J Smith of In the Seam, and local members of our design community to a panel discussion about using Instagram to market your designs and build a following. The event was hosted at Union Hall in Park Slope and guests stuck around afterwards to swap business cards, meet our marketing and buying teams, and make connections.

If you’re ever in the hood you should check out one of our events, but watching the highlights are always a great back-up plan.

Maker Stories

Inside the Artist’s Studio with Ana Talukder

April 7, 2014

Inside the Artist Studio with Ana Talukder | UncommonGoods

Here at UncommonGoods, we work with amazing vendors who constantly wow us with their creativity, artistry, and love of their craft. We don’t always get to meet the artists with whom we work; often relationships are forged through email and over the phone. Recently I was lucky enough to travel from our Brooklyn headquarters to Seattle to visit the studio of Ana Talukder , the super talented designer behind our beloved Latitude/Longitude jewelry collection and several other gorgeous designs.

Arriving at the studio, I was greeted with a big hug by Ana, and was immediately charmed by her bubbly and vivacious presence. I could not wait to see her studio and it was just as I imagined from hearing her description of it over the phone–a spacious and bright room with walls awash in her favorite color: purple. Her studio is a happy place, with touches of her personality everywhere–a purple peg board with small metal buckets to keep her organized, a board of inspirational quotes, and my personal favorite: an indoor window box of pansies (in purple of course!).

Ana and I looked at her new designs and talked about her process. I was wowed by how prolific she is, and how many new ideas she is constantly hatching. It was a great afternoon together and time flew by! Meet Ana and welcome to her colorful and inspirational world!

Continue Reading…

Maker Stories

Ricky Giacco’s Eco-Conscious Concrete Creations

April 4, 2014

An avid container gardener and all-around horticulture-lover, Ricky Giacco founded NativeCast in 2010 to create and sell his handcrafted concrete “functional sculpture” while following environmentally responsible business practices. His “green concrete” is amazingly light, yet strong, and made mostly of recycled materials.

Ricky Giacco | UncommonGoods

Giacco’s uniquely creative planters come from an illustrious family tree. The Roman Colosseum, the Hoover Dam, the Panama Canal, and this adorable Cupcake Planter are all made of concrete, the most widely-used building material in the world.

DIY Cupcake Planter

The production of concrete uses much less energy than other building materials, such as steel, aluminum, glass and wood. But it’s not carbon-neutral, and we Earthlings use 19 billion tons of it a year. That adds up. In fact, about 7 percent of human carbon emissions comes from concrete manufacture. So at UncommonGoods, we’re big fans of Ricky’s innovative, ecologically sound concrete, which he makes from scratch in Chadds Ford, PA.

The Mix | UncommonGoods
You could call Giacco a concrete mixologist. He concocts new recipes using ingredients native to his region. But unless you enjoy the taste of seashells, pine cones, and crushed, reclaimed roadway rock, you won’t want to drink these cocktails. Your plants will love drinking from them, though; concrete makes a great planting environment. Because it’s porous, it allows air and moisture to move into plants’ root structure; and it maintains a more stable soil temperature throughout the year, compared to plastic or metals.

NativeCast is a family affair: Giacco is its creative head, his father handles most of the business end, his wife works on trade shows, his mother works in the production studio once a week, and Giacco says each member of his “rather large” family “helps out in one way or another.”

We wanted to know more about every aspect of his business, and he graciously allowed us to indulge our curiosity.

Ricky's Studio

You “design” not only your objects, but the material they’re made of. Does that give you a special satisfaction?
Designing the material I work with is very cool, and I am happy with the results I am getting. There is satisfaction in knowing that my customers also enjoy what I’m doing. I do know the material’s limitations, so as I look to design new pieces and expand the business, I am exploring some new material ideas.

The most important breakthroughs have been in the mixing process. We have successfully replaced the typical heavy aggregates with lighter and more eco-friendly options while maintaining a good strength. This process is much easier said than done.

Ricky's workbench

Gun

Tell us a bit about the process of making your concrete.
Our green concrete is made by hand and is a fairly complicated process to mix. It is made of Portland cement, sand, lime, recycled concrete, post consumer plastic, shells and pine mulch. The ingredients are always the same, but the ratios tend to vary. This is due to a number of different factors; the biggest ones are air temperature and the technique being used to craft the pieces. We use different application processes depending on the individual product. This forces us to hand mix many small batches of concrete.

Is it a form of hypertufa?
It is not exactly hypertufa, but the concept of modifying the concrete mix for planters is the same.

Where and how do you get the recycled material you use? Is it pre-crushed? Do you treat it? Does it affect the color of the stone?
Our recycled content is all locally sourced. The reclaimed concrete is cleaned and crushed into very small pieces so we can properly incorporate into our mix. We do not treat the recycled content any further. The recycled content does not affect the color of the stone. It acts as filler so it is really contained within the concrete walls.

What factors come into play when making these decisions about materials and their suitability for a given piece?
The things I am trying to do with any given piece are fairly straightforward. The first is to make the container as strong as possible while using the smallest amount of concrete material. Then I look for the most efficient way to apply the concrete. And the last part is mostly using the best concrete mix to achieve the surface texture for the container. This process does take a bit of experimentation to get production rolling.

Ricky Giacco

MaterialsDo you actually hand cast every piece yourself? How do you do it quickly enough to fill the demand?
I do cast every piece myself and it is time consuming. I have the experience which allows me to move fast, but efficiency really comes down to making good molds and have a quick system to fill each one.

Your family helps a lot; that sounds lovely… depending! Do they all have a lot of these planters and other items in their homes?
Yes my family helps quite a bit and yes they all have planters in their homes. This is how we test out the product and improve others. I think working with family is a very special thing, if you can find a way to be productive. I’m sure it is not for most people. However, I am constantly surprised how much I like it.

Your materials are sustainably smart. Do you think construction or other types of companies, governments, etc. could use this kind of material on a large scale?
I certainly think it’s a good concept for an eco-friendly building material. However there is a lot of science involved in engineering concrete. What we make is intended for a craft application. I know there are plenty of scientist, engineers and universities working on the construction grade eco-concrete.

Concrete is alkaline, and very porous. Are your planters best used for alkaline-loving plants that don’t need a lot of water?
Yes, concrete is made from limestone, which is an alkaline rock, and therefore alkaline plants will do best in our containers. If you wish to put an acid loving plant in concrete, a liner is recommended. And it is porous, and is better for plants that don’t need a lot of water. In my opinion, porous is good all around; potted plants die because of over-watering.

How should one take care of these pots?
The concrete containers are fairly easy to care for. What I tell most people is to avoid standing water. It can stain over time and in freezing temperatures can crack concrete. Other than that, they are pretty easy to use.

Apple Bark Planter

Your Apple Bark Planter was cast from a crab apple tree that got sick and had to be removed. It sounds like you’re very sentimental about plants! What are your favorite things to grow?
I did know this tree for many years and was disappointed to see it go. I had this idea to make the planter, and I think it turned out pretty well. My favorite plants are cactus and succulents. They seem so exotic to me. I love how rugged and nearly indestructible they are. I wish I lived in a warmer climate to grow them beyond my containers.

Design

Creative Design to the Rescue! (Of Homeless Cats)

March 7, 2014

eddie

My cat Eddie thinking about cats who lack a nice warm bed like his

If you love cats–as we do–it’s painful to think of them having to brave the elements on their own during a freezing northern winter, especially this year. But here in New York City, tens if not hundreds of thousands of cats have no shelter. So, if you also love creative design, and believe in its potential as a force for good–as we do–it’s nice to learn about Architects for Animals’ “Giving Shelter,” a yearly funds-and awareness-raising initiative founded by animal lover Leslie Farrell.

CatHaus

“CatHaus” by Francis Cauffman Architects was voted the favorite of the 2014 attendees

Since 2010, every year, Farrell, Director of Client Development at architecture firm Francis Cauffman, has convinced a handful of top-notch architectural design firms to design, build and donate innovative outdoor winter shelters for homeless cats. Their creations are put on public display as a one-night benefit event for the Mayor’s Alliance for NewYork City’s Animals. Attendees vote for their favorite, then all the shelters are donated to caregivers who work with needy animals.

CatHive

“Cat Hive” by Incorporated Architecture & Design

Carlton

by Carlton Architecture PC

timemachine

“Time Machine for Kittens,” by Two One Two Design

Hairball

“Hairball,” by M Moser Associates

The creative designs of these shelters help the cause architecturally (they generate good ideas for future shelters) and in other ways, too, as Michael Phillips, Community Outreach Coordinator of the New York City Feral Cat Initiative, a program of the Mayor’s Alliance, points out. “The media coverage with pictures of the flashy shelters is an eye-catcher that many people examine with interest, whereas they will skip over an article about the plight of cats abandoned to the streets through no fault of their own.”

petunia

Homeless cat in Brooklyn (rescued and adopted a few days after this photo was taken)

Nobody knows how many homeless cats there are in NYC, but estimates range from tens of thousands up to a million. Most of them are scared of us, so they keep out of sight, which makes counting them difficult. While people often think of cats as natural loners, they actually tend to form colonies near food sources such as garbage bins near apartment buildings. Some feral moms could very well be teaching their kittens to scrounge your leftovers as you sleep. (I’ve witnessed this, a sight both adorable and sad.)

wildcat

African Wild Cat at the Johannesburg Zoo, South Africa. Photo: Sonelle

These felines are all trying to survive in what, for them, is an unnatural habitat. It’s not just that it’s so urban and industrial, but also that they’re not native to this part of the world. All of the world’s domestic cats are descended from a type of wildcat that lives in the deserts of the Near East. These cats are not designed to live in the NYC climate; those pretty fur coats are not enough protection during the winter, no matter how thick they get.

They need our help, especially as it’s humans’ fault that they’re out there in the first place. This population is made up of of strays, who are lost or abandoned tame pet cats (some of whom have regressed to a not-so-tame state), and ferals, the essentially wild (that is, not socialized to humans) offspring and descendants of non-neutered strays and pets who were allowed to roam. They have neither a consistent and healthy food source, nor shelter from the elements, nor protection from urban dangers such as cars, rat and other poisons, and cruel humans.

NYFeralCatInitiative

New York Feral Cat Initiative logo

Fortunately, there are many (though never enough) animal-lovers all over NYC who work hard to rescue tame, adoptable cats and kittens, and feed and protect the ferals. The New York City Feral Cat Initiative is a coalition of more than 150 animal rescue groups and shelters whose joint mission is “to raise awareness about the thousands of… community cats living outdoors throughout NYC’s five boroughs, to offer solutions to prevent the number of homeless cats from increasing, and to successfully manage existing colonies.”

outdoorshelter

Standard outdoor cat winter shelter design by Ashot Karamian

Building shelters that enable these critters to avoid freezing misery or death during inclement weather is part of the last part, managing colonies. (To read about solutions to prevent increases in the number of homeless cats, start here.) Of course, it’s not really necessary to build shelters that are more than just functional. As far as we know, cats aren’t offended by a styrofoam-and-duct-tape aesthetic. Phillips described the minimal structural guidelines as follows: “No heavier than two people can lift easily. Inner space should be no higher than 16 inches to retain the body heat of the cats with room for straw bedding.Waterproof. Constructed with weatherproof construction materials.” He added, “Water is the most destructive force. Snow does not normally damage shelters or enter shelters in comparison to driving rain or flooding.”

rubbershelter

Rubbermaid container cat shelter by by Ashot Karamian (photo by Ashot Karmanian used with permission)

“You could use a basic Rubbermaid container for a cat shelter, which is quite common and perfectly fine because it works,” says architect Sofia Zimmerman, who, along with her husband and business partner, Adam, has participated in Architects for Animals: Giving Shelter three years in a row. “But as designers,”she continues, “we love the idea of someone walking down the street and coming across something that is artful, unusual, or even beautiful. Cat shelters are often found in alleyways, parking lots, and other places where finding something delightful is rare. But here’s a chance to do something nice looking–for the cats, their caregivers, and the people that might catch a glimpse.”

zimmerman

by Zimmerman Workshop Architecture + Design

“This third one, that we did this year, is perhaps the simplest, but in many ways our favorite. It was all about upcycling. We re-used a cardboard box and sealed it with duct tape. Inside, we lined it with styrofoam that came as packaging material for a lamp. And then we had to add another layer of insulation. This was the chance to do something delightful! We collected nine pairs of old jeans, cut them into long strips, and created a very very long braid. We wrapped it around and around the box, using as inspiration braided rag rugs–the ones you see in storybooks all the time with cats curled up on them!”

She adds that “During that process, we actually learned about the environmental impact associated with creating a pair of jeans….don’t get us started!”

fiberglasspod

“Fiberglass Pod,” by Elham Valipay and Haleh Atabaki, co-founders of MishMish, an example of a structure built with camouflage in mind

Different situations may call for specific architectural strategies. Phillips describes varying and “colony needs,” such as “camouflage; difficult specific dimensions to fit an exact spot; or fitting in visually with the design of a building nearby to please a particular property owner willing but not thrilled to have shelters placed on his property.”

If you want to help feral cats where you live, Phillips says, “Offering of your time to assist a local caretaker in your neighborhood is the best way to contribute to the long-term welfare of a community cat colony. The more widespread the support in a neighborhood the more likely the cats will accepted. Volunteering to feed the colony one or more days a week is a great help, when so often only one or two people shoulder the care for an entire colony.“

Or, if you’re crafty and love the idea of experimenting with small-scale architectural design that will actually be used, here’s your chance to do it, fur real! (sorry…)

vernacular1vernacular2vernacular3

Above three photos: “Feral Vernacular” by deSoto studio architecture + design

All photos copyright Marisa Bowe, unless otherwise indicated.

Maker Stories

Inside the Artist Studio with Stacey Lee Webber

March 5, 2014

Stacey Lee Webber Studio Tour | UncommonGoodsPhiladephia jewelry designer, Stacey Lee Webber, creates her pieces from pennies and small coins—making art from what could easily be overlooked and discarded. The same can be said for her incredible studio and living space. Situated within the former Globe Dye Works factory–a space she calls home, work, and the location of her wedding–her space is one of the most uncommon I’ve ever visited. Aside from having been saved from scrapping and recycled, the factory is home to many other designers and just oozes creativity. Stacey’s studio also serves as storage for her creative friends’ projects that won’t fit anywhere else.

After I was done drooling over the space, I got to know one of our artists in a deeper way. Behind the beautiful necklaces and cufflinks on our site is a process of sawing, filing, and tiny metal splinters, creating the kind of dichotomy that makes handmade pieces like hers so special. When I see a coin, I see an opportunity for a Tootsie Pop. When Stacey sees a coin, she sees art–just another reason why it’s so fun to try to get inside the mind of our designers.

Take a stroll around Stacey’s creative space and get to know this Uncommon Artist.

Continue Reading…

Design

What To Do When Your Design Isn’t Accepted

February 28, 2014

What To Do When Your Design Isn't Accepted | UncommonGoods

Was your design not accepted by a buyer? Or were you not the winner for an UncommonGoods Design Challenge that you thought was in the bag? Yeah it sucks, but it happens to the best of us. Being rejected is part of growing as a designer. I once heard a story about a salesman who got excited every time he was rejected because he had figured out that for every 9 no’s he would get one yes. So how can you use the no’s as an opportunity to get more yes’s? And how do you know whether to move on and contact different companies rather than pushing your designs to the same seller?  Here are a few tips to use post-rejection to become a better designer.

Don’t take it personally. The most important thing you can do for yourself is to not take anything personally. You really don’t know why they said no unless they tell you.It could be a variety of factors, even that it’s just not the right time, that they have strong relationships with the ties they already carry or they don’t have the budget to pick up a new line. If you lost a competition, it just may have been that there were a lot of entries or similar submissions to yours. This gives you an opportunity to become more individualized in your design and your style!

Do something nice for yourself. Post rejection, it’s really important to keep your energy level up. Go for a walk, buy yourself a treat or do something else that makes you happy and feel good.The key to keeping your energy up and staying on track is to stay positive. Treating yourself well always helps.

Ask for and listen to feedback. You may or may not get the opportunity for feedback, but it’s a great idea to ask for it. Even if it makes you feel uncomfortable, understanding why a buyer said no is a great way to improve your brand. Try to listen to the feedback from an objective manner. Think: “How can I become a better designer?” Remember a no may not be a no forever, but just a no for right now.

Send a thank you note. An unexpected touch for a buyer is to receive a thank you note when they have turned down your line. This is key to staying top of mind even if they didn’t buy. It also opens you up to referrals and creates opportunity for potential down the road.

Keep in touch. Keeping in touch is important! If your assortment changes or something changes in the store assortment, you may have a chance to work together down the road. There is a statistic that it can take up to 7 times before a buyer notices and actually purchases a line. Keep that in mind.

Consider: Am I right for this store? Buyers and curators consider many factors when looking for designers. They are looking at budgets, current product assortments, price points, and their clients as well as many other factors. If they passed on your design, take an honest look at your collection as it is now. Is it really right for this account/store/contest/person? Sometimes, your energy is freed up if you aren’t wasting time barking up the wrong tree. Invest your time on the right types of stores where your dream clients are hanging out and shopping. Rejection isn’t always a bad thing. When you can use the information you receive to improve your line and grow, you are always in the right place.

It’s your turn! We want to hear from you! In the comments below, tell us the following:

1. What have you done in the past when you have been rejected?

2. How have you overcome rejection and turned an awkward situation into an awesome situation?

This post was written by the creators of Flourish & Thrive Academy, Robin Kramer and Tracy Matthews. For specific sales & marketing advice to get your jewelry into the hands of your dream clients, head on over to Flourish & Thrive Academy.

TracyRobin-about